| 24. November 2022 | ||
| 19:30 | bis | 20:30 |
Dance of Death • Works by Leonhard Lechner, Dorothée Hahne and Hugo DistlerProgram:
Leonhard Lechner (um 1553–1606)
Deutsche Sprüche von Leben und Tod
Dorothée Hahne (*1966)
Dance Macabre Continue reading…
| 20. November 2022 | ||
| 19:00 |
| 13. November 2022 | ||
| 20:00 |
Program
Dario Castello
Sonata seconda a sopran solo (1644)
Maurice Ravel
Pièce en forme de Habanera
Sofia Gubaidulina (*1931)
Klänge des Waldes UA
Dorothée Hahne (*1966)
commentari III
John Dowland
Flow my tears Continue reading…
| 20. October 2022 | ||
| 19:00 | bis | 21:30 |
| 21. October 2022 | ||
| 19:00 | bis | 21:30 |
| 22. October 2022 | ||
| 19:00 | bis | 21:30 |
| 23. October 2022 | ||
| 19:00 | bis | 21:30 |
| 12. October 2022 | ||
| 13:00 |
A special event in the series celebrating the 40th anniversary of the purchase of the Bösendorfer piano
Jill Kemp Recorders
J. S. Bach – Partita in C minor (trans. from A minor)
Hildegard of Bingen – O Ecclesia
Dorothée Hahne – commentari III (2000)
G. P. Telemann – Fantasia 3
Fausto Romitelli – Seascape (1994)
J. S. Bach – Sarabande & Gigue from cello suite BWV1008
Dani Howard – Two and a half minutes to Midnight Continue reading…
| 24. September 2022 | ||
| 11:00 |
24. ERTA-Kongress
CONTEMPO: ERTA
Zeitgenössische Impulse für einen modernen Blockflötenunterrricht
Zum Thema “zeitgenössische Musik” gibt es u.a. spannende Beiträge von Caroline Mayrhofer, Dorothée Hahne, Wen-Cheng Wei und Jonathan Volbers.
Nähere Informationen zum Kurs- und Rahmenprogramm finden sich im Einladungsflyer ERTA 2022.
Der Impulsvortrag von Dorothée Hahne über Ihre Kompositionen für Blockflöte & Live-Elektronik findet am Samstag, 24. September 2022 um 11:00 Uhr statt.
Universität Musik und darstellende Kunst, Rennweg 8, A – 1030 Wien
| 18. September 2022 | ||
| 15:00 |
| 30. December 2021 | ||
| 20:00 |
| 16. September 2021 | ||
| 20:00 |
| 12. September 2021 | ||
| 15:00 |
Organ concert for the opening of the 8th Church Music Days in the Rhein-Kreis Neuss district dean.
Organ: Nikodem Chronz
12.09.2021, 15 Uhr
Program:
Dorotheé Hahne: Gestern – Heute – Morgen
Peter Michael Hamel: Et expecto Continue reading…
The German Music Council, together with the German Bishops’ Conference and the Evangelical Church in Germany to carry out the project “Organ Music in Times of Corona.” The project is a contribution to the “Year of the Organ,” which the state music councils have proclaimed for 2021. The project produced 17 compositions for organ that artistically reflect the Corona period in an artistic way. In the fall of 2021, these organ works will be performed in numerous concerts and church services. In this way, musical life will be actively and to encourage the listeners to deal with the experiences of the pandemic experiences. The project will conclude with a finissage concert on Nov. 21 2021, at which all 17 compositions will be performed together. The project is supported funded by the Federal Commissioner for Culture and the Media.
Continue reading…
| 17. August 2021 | ||
| 12:15 |
Lea Sobbe Halldór Bjarki Arnarson
Lea Sobbe – Blockflöte
Halldór Bjarki Arnarson – Cembalo
Martin Reck – Electronics
Is the recorder confined solely to the realm of early music? Lea Sobbe, who was born in Trier in 1994 and is currently completing her master’s degree at the Schola Cantorum Basiliensis, showed this to definitively not be the case at the 2021 Prix Credit Suisse Jeunes Solistes, winning the coveted CHF 25,000 prize for young musicians as well as the opportunity to appear at Lucerne Festival in a Debut recital. She will experiment with different types of recorders, from the Middle Ages to modern models, and explore the question of how much repetition is needed to achieve complete musical freedom, pleasure, and joy in playing. Sobbe will combine contemporary pieces with live electronics in a program of improvisations and early Baroque repertoire, which she performs with her chamber music partner on harpsichord, the Icelander Halldór Bjarki Arnarson. “Magnificent, daring, beautiful, flowing, touching,” remarked Noémi L. Robidas, jury chair of the 2021 Prix Credit Suisse Jeunes Solistes, describing her impression of Lea Sobbe’s playing and program conceptualization.
concert programme: «once:more» Continue reading…
Lauterbach (D): Duo Sono Eternity – Millenium Charts
»Millenium Charts«
Sophia Schambeck, recorder Sebastian Wielandt, percussion
Program:
Works from Bach and Vivaldi to Dowland, Eggert and Gerassimez, including “commentari III” by Dorothée Hahne. Continue reading…