Archive of posts tagged commentari III

Vienna (A): Gemischter Satz: Vorspiel

3. May 2018
19:00

Gemischter Satz: Vorspiel

Donnerstag 3. Mai 2018, 19:00 – ca. 22:00 Uhr, Mozart-Saal, Wiener Konzerthaus
 

Programm

19:00 Uhr, 1. Teil

Fauré Quartett / Dorothee Oberlinger / Dörte Lyssewski
Dauer ca. 40 Minuten

Luciano Berio: Gesti (1966)

Aristophanes: Die Vögel

Gustav Mahler: Klavierquartettsatz a-moll (1876)

Philippe Jacottet: Der Himmel ein Wein (Landschaften mit abwesenden Figuren)

Hildegard von Bingen: O ecclesia. Antiphon

Dorothée Hahne: commentari III (2000)

Toshio Hosokawa: Klänge von Lethe (2016)

Felix Mendelssohn Bartholdy: Klavierquartett h-moll op. 3 (3. Satz: Scherzo) (1925)

Isang Yun: Der Affenspieler (Chinesische Bilder) (1993)

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Anmerkung

Unterstützt von WienWein
Kartenpreise beinhalten die zur Verkostung angebotenen Weine

Interpreten

Florian Boesch, Bassbariton

Musicbanda Franui

Fauré Quartett

Dorothee Oberlinger, Blockflöte

Dörte Lyssewski, Lesung

Víkingur Ólafsson, Klavier

Die Strottern & Blech

Willi Resetarits, Gesang, Mundharmonika, Ukulele

Ernst Molden, Gesang, Gitarre

Walther Soyka, Wiener Knopfharmonika, Gesang

Hannes Wirth, Gitarre, Gesang

Steinbrener / Dempf & Huber, Bühnenraumkunst

Quelle: https://konzerthaus.at/concert/eventid/54936

Munich: Gasteig competition – Sophia Schambeck – commentari III

19. April 2018
09:00

© Stefan Heigl | Sophia Schambeck aus München gewann 2014 den Sonderpreis beim Regional- und Landeswettbewerb.

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Sophia Schambeck performing “commentari III” in category woodwinds.

The competition starts @ 9:00 in “Kleiner Konzertsaal”.

Admission free

Update: “In the category of woodwinds the jury awards a special prize to Sophia Schambeck (recorder, class Prof. Maurice van Lieshout) for “Commentari III” (2001) for Baroque soprano recorder, Renaissance G-Alt and tape by Dorothee Hahne”

Aurich: Hahnes zeitgenössische „Commentari III“ faszinieren | 05.08.2017

Sorry, this entry is only available in German.

Gezeitenkonzert

Knallbunte Quer-Beet-Musik

von Horst Hollmann

Dangast Zwanzig Sorten Sommerblumen! Das ist eine populäre Tütchenmischung von Sämereien. Garten-Puristen ziehen geringschätzig die Augenbrauen hoch. Freunde ungezügelten Blühens genießen knallbunte Beete. Es gibt eine musikalische Variante: Zwölf Sorten Komponistenmischung! Die einen reiben sich befremdet die Ohren. Die anderen genießen die Überraschungen der Vielfalt. Im Alten Kurhaus in Dangast sind das nicht wenige. Der Saal ist beim traditionellen Gastspiel der ostfriesischen Gezeitenkonzerte traditionell ausverkauft. Mit der Begeisterung über den herrlichen Quer-durch-den-musikalischen-Blumengarten-Abend hält niemand hinter dem Berg.

Vier junge Musikerinnen und Musiker sind eingesprungen: Sophia Schambeck (Blockflöten), Matthias Well (Violine), Maria Well (Cello) und Daniel Seng (Klavier). Sie ersetzen das Bläserquintett „quast“, dessen Oboistin erkrankt ist.

Ihr Programm hat bei aller Lockerheit der Zusammenstellung Gewicht. Da steht Johan Halvorsens wuchtige Passacaglia neben Reinhold Glières folkloristischen „Huit Morceaux“, Jacob van Eycks lautmalerische „Engels Nachtegaeltje“ neben Maurice Ravels Violin-Reißer „Tzigane“. Zudem stellen Zoltan Kodalys Streicher-Duo technische oder Franz Schuberts Impromptus gestalterische Anforderungen.

Von 1644 bis 2011 spannt sich der zeitliche Bogen. Gerade Dorothee Hahnes zeitgenössische „Commentari III“ für Flöten und Tonband faszinieren, wenn sich in die getupften und hüpfenden Zweiunddreißigstel bedrohliches Hubschrauber-Brummen einschleicht.

Es sind vier grandiose Gärtner am Werk. Flötistin Schambeck bringt von kontrollierter Atemführung über hohe Virtuosität bis zum geschmeidigen Verbinden der Phrasen alles mit, was heute wieder am Blockflötenspiel fasziniert.

Die eher zierliche Cellistin Weller kann wie ein Kraftpaket zulangen und entwickelt ein Vibrato, das fast elektrisch aufgeladen ist. Bruder Matthias wahrt auf der Violine bei allem klanglichen Raffinement eine wohltuende geschmackliche Distanz. Pianist Seng folgt sehr zielstrebig den inneren Bezügen bei Schubert und Chopin. Zudem schätzen ihn die Mitspieler spürbar als sicher stützenden Begleiter.

Der Beifalls-Anteil pro Spielzeit fällt hoch aus. Sechs Minuten Chopin: Riesiger Beifall. Zehn Minuten Vivaldi: Bravos. Vier Minuten Schulhoff: Jubel. Fünf Minuten Ungarisches: Ovationen. „Wir wollten unbedingt mal in Dangast spuiln“, sagt die Münchnerin Maria Well bayrisch und augenzwinkernd, „es fehlte uns einfach“. Das hat sich für die Vier dann unbedingt gelohnt.

Quelle: NWZ Online

Aurich (D): Long night of the peak striker

21. July 2017
18:00
22. July 2017
18:00

gipfelstuermerThe Long Nights of the Mountaineers have developed as a concert-goer magnet of the Tide Concerts, and rightly so. Those who have already experienced the outstanding performance and the joy of these young musicians will become addicted to this concert format. The nights begin with parallel programs in the hall and the forum, then after the break the audience changes rooms. The Long Nights end with an improvised program for everyone at around midnight in the forum.

Program amongst others : Continue reading »

Seoul (KR): Graduation recital – Kim Kyu Young

11. May 2017
18:20

REcital-Korea-2017
Continue reading »

noncerto 57.1 Vincent Lauzer – Hahne: Commentari III – Classical Music Video

An excellent commentari III interpretation of the multi-award winning Canadian recorder virtuoso Vinzent Lauzer @ Youtube channel from noncerto:

Extra thanks for sharing this to Matthias Maute

Bremen: Debut concert Duo Antlia “Unearthly”

9. July 2015
19:30

Duo Antlia - BArbara Heindlmeier & Julia Fritzmusic im museum

Debut concert with Julia Fritz and Barbara Heindlmeier (recorder)

Program (u.a.)

Dorothée Hahne: dance  macabre (Duo Version) & commentari III

9th Juli 2015 19:30 Gerhard-Marcks-Haus, Am Wall 208, 28195 Bremen, Germany

Music in the Museum a series of concerts of Gerhard Marcks House and the University of the Arts Bremen, Department of Music

Fee: 4,50 / 3 Euro

Special prizes of the Versicherungskammer Kulturstiftung for contemporary music in 2014

© Stefan Heigl | Sophia Schambeck aus München gewann 2014 den Sonderpreis beim Regional- und Landeswettbewerb

© Stefan Heigl | Sophia Schambeck aus München gewann 2014 den Sonderpreis beim Regional- und Landeswettbewerb

The Annual Report 2014 of the Versicherungskammer Kulturstiftung is now available online, in which Sophia Schambeck is honored as twofold winner for her interpretation of Commentari III:

Versicherungskammer Kulturstiftung supports young musicians in dealing with the music of the present. We gave at the regional and state competition Bavaria “Jugend musiziert” a special award for the outstanding performance of a contemporary work. The prize is endowed with 2,300 . At regional and state competition 2014 flutist Sophia Schambeck convinced the Jury: The 20year old inhabitant of Munich won both special prizes with her interpretation of Commentari III for soprano recorder, Renaissance Recorder in G and playback CD. It is part of a concert that the composer Dorothée Hahne had composed in 1999 on the occasion of the Roman summer in Köln for Recorder virtuoso Dorothee Oberlinger. The piece is instrumented for mixed Recorders, archaic didgeridoos and computer assisted surround live electronics.”

Munich: “The Long Night of Music” at Gasteig – Sophia Schambeck

9. May 2015
22:30

LangeNachtderMusikMu2015A musical journey from Venice to Utrecht, from the Middle Ages to today: minstrel dances, which were presumably carried forward to the year 1200 in the marketplaces, Dutch music of the Renaissance and works of High Baroque by J.S. Bach and A. Vivaldi; experimental music of the 20th century by L. Berio, and even Sophia Schambeckcontemporary works with electronics (Dorothée Hahne: commentari III).

Sophia Schambeck (recorder)
Stellario Fagone (piano)

Venue:
Blackbox im Gasteig
Rosenheimer Straße 5
D – 81667 München

Rosenheim (D): Love is in the air

14. February 2015
19:00

Rosenheim – “Love is in the air” is the program that have put together the young musicians of talent development class of the music school Rosenheim suitable for Valentine’s Day. So resound on Saturday 14 February by 19 clock in Hans Fischer Hall of Künstlerhof at the Ludwig place with free admission love songs with evocative titles like “Pur ti miro”, “Love on Top” or “You love who you love” of Claudio Monteverdi to George Gershwin and John Legend.

Masterpieces for Solo Instruments artfully combine the emotional singing together. Among them are Edouard Lalo’s “Symphonie espagnole” for violin, Valse “Dolinda” by Rene Bartoli for guitar, Gershwin’s “Summertime” for solo trumpet, Wolfgang Schlüter “Nadia’s Dance” for vibraphone and “Commentari 3” by Dorothée Hahne for various Recorders and electronics. Some works have recently been “Young Musicians” even when presented.

The exporting emerging artists are Marie Erndl, recorder; Michael Franz, trumpet; Lena Depta, guitar; Alexander Schmid, percussion; Simone Schuster, vocals; Anna Meixner, vocals; Susanne Bayeff-Filloff, singing, and Lara cordon, violin.

Quelle: OVB

Two prizes for Sophia Schambeck at competition in Germany | 2.10.2014

logo_cvaSophia Schambeck (1993), recorder, has won two prizes at the Wespe 2014 competition in Germany. For her interpretation of Commentari III by Dorothee Hahne she won a prize in the category ‘Best interpretation of a piece by a female composer’, a special prize awarded by the Bundesministerium für Familie, Senioren, Frauen und Jugend. For performance of AtPHOlantis for recorder and electronics she won a prize in the category ‘Best interpretation of an original composition’, a special prize awarded by the Gesellschaft zur Verwertung von Leistungsschutzrechten GVL.
Sophia Schambeck studies with Erik Bosgraaf in the first year of the bachelor degree programme.

Source: Conservatorium van Amsterdam

Kingston (CA): Solo Virtuoso Recorder with Electronics – Vinzent Lauzer

28. November 2014
20:00

img_VincentNew Music Kingston is thrilled to be presenting the Kingston premiere of Breakthrough Artist of the Year (2012 Opus Awards), Vincent Lauzer, virtuoso recorder player from Montréal. A prize winner many times over, he was most recently awarded the Prix Guy-Soucie for best performance of a Québec work by Patrick Mathieu at the Prix d’Europe 2013… 2012, First Prize during the Stepping Stone of the Canada Music Competition and the Career Development Award from the Women’s Musical Club of Toronto … 2010, 1st prize in the first Mathieu-Duguay Early Music Competition held at the Lamèque International Baroque Music Festival … 1st Prize and the Audience Appreciation Prize in the 3rd Montreal International Recorder Competition … best Canadian Recorder Player Prize … Montreal Baroque Prize for Audaciousness and Musicality in the Galaxie-CBC Rising Stars Competition during the Montreal Baroque Festival in 2007. Vincent has performed with the series Clavecin en concert and with the ensembles Les Idées Heureuses, Arion, and La Bande Montréal Baroque. He is also a founding member of the ensemble Recordare, which was one of the five finalists in the Early Music America/Naxos Recording Competition. He has toured and recorded extensively with the recorder quintet Flûte Alors! His Kingston program will include performances on recorders of all sizes with the addition of electroacoustic material… you will be amazed! Vincent will also be presenting a workshop/demonstration on Saturday morning, November 29… more information to follow.

Venue: Isabel Bader Centre for Performing Arts, 390 King St W, Kingston, ON K7L 2X4, Kanada, Telefon:+1 613-533-2424

Neubrandenburg: Jugend Musiziert – Sonderwettbewerb Wespe 2014

27. September 2014
09:40
28. September 2014
10:30

WESPE – “Weekend special prices” has been held since 2008, following the federal competition “Jugend Musiziert” held an exclusive offer only for Federal winners and award winners of “Jugend Musiziert”.

More than in the national competition “Jugend Musiziert” is what WESPE about providing the instrumental skills in the service of music and not yet listed to devote less known or particularly difficult to interpret works of the 20th and 21st centuries. In the WESPE emancipated artist is asked!

Jugend Musiziert“Jugend Musiziert” wants to encourage the best young performers to deal with the unknown and the risk of the new. Productive curiosity and creativity should be encouraged. In addition to the competition also encounter character plays an important role here meet under the common denominator of a certain special price different occupations and all age groups.

In this year’s contest Sophia Schambeck will participate with “commentari III“.

Venue:

Regionale Schule Mitte “Fritz Reuter”
Katharinenstrasse 1
10733 Neubrandenburg (Germany)

Update: Sophia Schambeck is awarded a special prize in the category “best interpretation of the work of a composer” . The prizewinners’ concert took place on 28.0.2014 at 10:30 in the concert church Neubrandenburg.