| 3. August 2021 | ||
| 17:00 |
Jill Kemp – recorder
Concert programme:
Hildegard von Bingen O Ecclesia (Sequence dedicated to St Ursula)
Dorothée Hahne Commentari III
JS Bach Sarabande and Gigue from Suite No 2 in D minor BWV 1008
GP Telemann Fantasia 3 Continue reading »
| 3. Mai 2020 | ||
| 18:00 |
zert – Mit der Blockflötistin Dorothee Oberlinger
Sonntag, 03. Mai 2020, 18:00 bis 19:00 Uhr
Ein NDR Kultur Foyerkonzert ohne Publikum – an sich undenkbar. Aber in diesen Zeiten heißt es: watt mutt, dat mutt.
Die Blockflötistin Dorothee Oberlinger spielte am 8. April im Rolf-Liebermann-Studio des NDR in Hamburg ein Programm von riesiger Bandbreite und zeigte ihr geradezu phantastisches Können auf zahlreichen verschiedenen Flöten. Teils sogar auf mehreren Flöten gleichzeitig oder auch mit elektronischen Effekten. Von Musik der Hildegard von Bingen über Bach und Telemann bis zu aktuellster Musik von Dorothée Hahne, die für Dorothee Oberlinger komponiert worden ist.
Dabei gab es spannende Gesprächsthemen en masse. Im Gespräch mit Ludwig Hartmann plauderte die gefeierte Flötistin über Musik, Corona und Karriere.
Eine Sendung von Ludwig Hartmann
Quelle: NDRkultur
| 18. September 2015 | ||
| 16:00 |
With WESPE “Youth Makes Music” sets new initiatives and priorities. More than in the national competition “Youth Makes Music“ it comes to provide the instrumental skills to the service of the music and not yet listed to devote lesser-known or particularly difficult to interpret works..
“Youth Makes Music” will encourage the best young performers to deal with the unknown and to risk the new. Productive curiosity and creativity are encouraged. In addition to the competition also encounter character plays an important role. Continue reading »
| 27. Februar 2014 | ||
| 13:30 |
WMCT Career Development Award 2012 winner
Thursday, February 27, 2014, 1:30 PM
Walter Hall, University of Toronto
80 Queen’s Park (Museum Subway Station)
Programme:
Vincent Lauzer, winner of the Women’s Musical Club of Toronto’s 2012 Career Development Award, presents an innovative programme of wide-ranging repertoire including various members of the recorder family from the sopranino to the rarely heard bass. Continue reading »
| 8. November 2012 | ||
| 18:30 | bis | 20:00 |
Universität für Musik und darstellende Kunst Wien
Blockflötenabend der Klasse Helge M. Stiegler
Donnerstag, 8. November 2012
18.30 Uhr, Neuer Konzertsaal, Rennweg 8
Programm:
Antonio Vivaldi (1678 – 1741)
Concerto Op. 10 Nr. 2 “La Notte“
Largo – Fantasmi Presto – Grave – Andante –
Presto! – Largo “Il Sonno“ – Allegro
Irene Brantner, Petra Zenker
Johann Mattheson (1681-1764)
Sonata Op.1 Nr. 8, F Dur
Lentement – Allegro – Loure Gigue – Gigue Vite
Ruth Kerschner, Karin Kimmeswenger, Julia Wurm
Georg Philipp Telemann (1681 – 1767)
Fantasie Nr. 8 g Moll
Largo – Spirituoso – Allegro
Julia Wurm
Georg Philipp Telemann (1681 – 1767)
Fantasie Nr. 2, c Moll
Grave – Vivace – Larghetto – Allegro
Karin Kimmeswenger
Joseph Bodin de Boismortier (1689 – 1755)
Op. 7 Nr. 4, Sonate IV f Moll
Doucement – Courante – Allemande, Gravement-
Premier Menuet – Deuxième Menuet!
Dorothée Hahne! (geb. 1966)
“dance macabre“
Blockflöte und Live Electronics, 2006
Theresa Pewal
Lucerne (CH): Debut Prix Credit Suisse Jeunes Solistes – Lea Sobbe
Lea Sobbe | Halldór Bjarki Arnarson
Lea Sobbe – Blockflöte
Halldór Bjarki Arnarson – Cembalo
Martin Reck – Electronics
Is the recorder confined solely to the realm of early music? Lea Sobbe, who was born in Trier in 1994 and is currently completing her master’s degree at the Schola Cantorum Basiliensis, showed this to definitively not be the case at the 2021 Prix Credit Suisse Jeunes Solistes, winning the coveted CHF 25,000 prize for young musicians as well as the opportunity to appear at Lucerne Festival in a Debut recital. She will experiment with different types of recorders, from the Middle Ages to modern models, and explore the question of how much repetition is needed to achieve complete musical freedom, pleasure, and joy in playing. Sobbe will combine contemporary pieces with live electronics in a program of improvisations and early Baroque repertoire, which she performs with her chamber music partner on harpsichord, the Icelander Halldór Bjarki Arnarson. “Magnificent, daring, beautiful, flowing, touching,” remarked Noémi L. Robidas, jury chair of the 2021 Prix Credit Suisse Jeunes Solistes, describing her impression of Lea Sobbe’s playing and program conceptualization.
concert programme: «once:more» Continue reading »