H-Blog - von einer, die auszog das Glauben zu lernen

Schöppingen (D): 1. Laying of Stolpersteine

19. December 2023
09:00

Invitation to participate in the laying of

Stumbling Stones for the Ransenberg family

on 19 December 2023 9:00 am


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CD release: blue – experimental music in the church space

Churches are not only architecturally significant spaces, they are also places of encounter and worship, social spaces, different spaces and also sound spaces. The Archdiocese of Paderborn commissioned compositions for electronic music for these special spaces, which were premiered in September 2023. This double CD documents the compositions. [Further information about the project]

Composers: Florian Zwissler, Oxana Omelchuk, Dorothée Hahne, Tobias T. Hagedorn, Ralf Hoyer, Florian Hartlieb, Nikolaus Heyduck, Ulf Pleines, Christina Kubisch, Christoph Ogiermann und Matthias Krüger.
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TelePartY @ 1st ERPS Video Competition 2023

Update: Alexander is 1st prize winner in category “recorder paradise” !

In July 2023, an exceptional young emerging artist, 11-year-old Alexander Umundum from Austria, was awarded three first prizes at the ORDA Competition in Amsterdam. He was judged both by the jury as the best in his age group and by the audience as the best of all participants in the competition. He received another award for the special concert programme in which he grandly interpreted the interactive composition “TelePartY” (for solo instrument and 4-channel live electronics) as a contemporary contribution. In the meantime, there is a recording of it and this video is taking part in another online competition in which the most clicks and ratings are decisive. One more reason to like and recommend this video. It is also worth mentioning that everything is recorded live, so no playbacks are used!

AI Test: Dorothée Hahne playes Alphorn

It made me curious to see how an AI sees it.

Here are the results, which are only good for an April joke:


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KI Test: Hildegard von Bingen composes on a computer

It made me curious to see how an AI sees it:

Here are the results:


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AI Test: Beethoven composes on a computer

It made me curious to see how an AI sees it:

Here are the results:


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Live electronic chamber music in 3 clicks

Many of my live-electronic compositions can be realised stage-ready with simple means. For this purpose, I have designed and pre-configured the respective software in such a way that it only takes a few clicks on the performer’s computer. The technical development of the performance of audio hardware is astonishingly rapid. The hardware used in this example for a 10 year old recorder virtuoso demonstrates vividly how even proven solid equipment can be used on a smaller budget: a Macbook Pro, as multi-channel audio interface a MOTU Ultralite MK3 Hybrid, a Bose Soundlink Mini II stereo speaker, an AKG S1000 microphone, an AKG headphone, as well as the necessary cables:

First, all devices are (according to instructions) set up and wired together. Then the audio interface, then the speaker and finally the Macbook is switched on:

The (configuration of the Macbook) allows that after starting the computer the audio interface connects automatically and the interactive software for composition (TelePartY) is opened:

The TelePartY software “remembers” the preset audio configuration (here as stereo version), so that only 3 more clicks are missing to make music intact:

1. The first mouse click in the main window on the green button [Reset All] loads all software-internal presettings.

2. The second mouse click on the green button [Audio ON] activates the connection to the audio interface.

After that, the volume levels for the microphone and the headphones (through which the synchronized metronome click is played) must be set once at the AUDIOINTERFACE. (If you save the setting at the audio interface, you will save this one-time intermediate step in the future). In the sense of house or chamber music the live played flute is not amplified electronically, but only recorded to be played back again at the same volume (an additional amplification of the live played voice is however just as possible with appropriate room size)

Optionally, a preset playback can be loaded with 3 clicks on the small round button [Playback 4 Soundcheck] and of course also switched off again in the same way for playing yourself. This allows you to comfortably test the volume and acoustics in the room.

3. The software starts with pressing the space bar with 2 bars counting in metronome click!

Each mouse click on the green [Reset All] button ends the current playback and resets the software with all presets ready to start again, so that pushing the space bar restarts the playback.

Thee software always starts from the beginning, which is the most practical solution for this type of composition with live recording and playback.
In addition to the metronome, a synchronised beat counter and signal lights indicating when the software is recording are present in the top left window.
For this reason, the solo part should be rehearsed in the exact timing and original tempo before using the software.

To stop the software, click on the red button [Audio OFF] to turn off the connection to the audio interface.

With the key combination [Control (apple)] + [Q] the software is terminated and the Macbook can be shut down again.

Picture and sound (played through the loudspeaker) of the last sample video were recorded with a simple smartphone.

The software makes it possible to realise performances mono, stereo and also quadraphonic, in which case the live recordings and their variations circulate around the auditorium in different movement patterns (see in the video also the lower window bar in the TelePartY software).

Sheet music and software for TelePartY, including detailed instructions, will be published in the newsicStore as a download. Pre-orders are possible by E-mail.

ERTA (UK): Zoom – Meet the composer – Dorothée Hahne

8. February 2023
19:00

ERTA UK NEXT ZOOM:

8th February 2023

 

Dorotheé Hahne

Meet the composer/playing with live
electronics & Max/MSP

19:00 hrs UK time (20:00 DE)

Free for ERTA members and students
10 GBP for non – members

To register, e-mail chris.orton @ erta.org.uk

Compositions for and with recorder

In addition to the lecture at the 24th ERTA Congress 2022, here is an overview on my compositions for recorder.

All the works, with the exception of the instrumental and two works with playback, are realized with live- electronics by Max/MSP patches, which are available with the sheet music. Some compositions have been published in the edition newsic, others will follow and are already available on request. The composition “Yesterday – Today – Tomorrow” was published by Carus-Verlag. The work titles are linked to further information in the ouevre catalogue.
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Augsburg (D): Gala Concert – Organ music in times of Corona

18. September 2022
15:00

Cologne (D): Chamber Remix Cologne

30. December 2021
20:00


Reflection and confidence: “Organ music in times of Corona”.

The German Music Council, together with the German Bishops’ Conference and the Evangelical Church in Germany to carry out the project “Organ Music in Times of Corona.” The project is a contribution to the “Year of the Organ,” which the state music councils have proclaimed for 2021. The project produced 17 compositions for organ that artistically reflect the Corona period in an artistic way. In the fall of 2021, these organ works will be performed in numerous concerts and church services. In this way, musical life will be actively and to encourage the listeners to deal with the experiences of the pandemic experiences. The project will conclude with a finissage concert on Nov. 21 2021, at which all 17 compositions will be performed together. The project is supported funded by the Federal Commissioner for Culture and the Media.

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