In progress – 3 intermezzi with and without live electronics for baroque quartet & speaker
Commissioned composition for Marsyas Baroque
World premiere 14. November 2025, Bremen, Germany
(still uncomplete) list of Performances:
5. October 2024 | ||
20:00 |
In this concert, three musicians follow the path from solo performance to duo formations to trio, visualising the path from the I to the We. The festival theme, which deals with the question of identity, is reflected in this concept: does the (self-)perception of the musicians change when they see themselves as part of a larger whole? In this concert, three commissioned works by female composers from NRW will be premiered, including two pieces by up-and-coming young talents on the composition scene.
The new work I am addicted by Jiaying He (*1997 in China), who studied piano in Zhejiang and composition at the Folkwang University of the Arts in Essen, was created thanks to funding from the Zonta Club Münster. Diana Ortiz (*1993 in Colombia), also a graduate of the Folkwang University, specialises in electronic and acoustic composition and has been commissioned by the GNM Münster. Dorothée Hahne (*1966 in Bonn) is a composer, producer and publisher. She studied trumpet in Cologne and Düsseldorf and is known for using electronic means in her compositions without any sound synthesis – these are used exclusively for the repetition and variation of natural sounds. Violeta Dinescu (*1953 in Romania) is regarded as a bridge-builder Continue reading »
[in memoriam 9/11]
Flute, violin, piano & live electronics
Alternative Title: MultiSolo 3.3.4
Commissioned by the Gesellschaft Neue Musik Münster 2024
UA Klangzeit__#12, Festival for New Music @ Münster
Performances:
I was told by “coincidence” shortly before my father died end of March 2008 that my great-uncle Hans Thierfelder was a well-known, successful and important conductor. Within my family is transmitted, that among other things he conducted the Boston Symphony Orchestra and the Bayreuth Festival during the 3rd Empire (although he himself was honest non-political and Buddhist). The generations of my family who knew more about it are unfortunately all died. As far as I find time I try to research what can be proven and documented yet. This morning I found the following article with free mp3-Download in a blog of a Netherlands lover of old shellac discs (78 rpm):
Ludwig van Beethoven: Romance for violin und orchestra in F op.50
Josef Wolfsthal, Violin; orchestra of the Berlin State Opera under the direction of Hans Thierfelder
Polydor 69794 (B 27597/8) 869/70 az
Length: 9:04 Record from 1925
Violine, E-Violine www.violinelenka.com
14. November 2008 | ||
22:45 | bis | 23:45 |
17. November 2005 | ||
20:00 | bis | 21:30 |
18. November 2005 | ||
20:00 | bis | 21:30 |
FORUM NEUE MUSIK
Der Himmel voller Geigen
Glaube daran, dass es keine Grenzen außer dem Himmel gibt (Cervantes)
Johann Sebastian Bach . Lenka Zupkova . Dorothée Hahne . Thorsten Töpp
Kompositionen für Violine & Live-Elektronik
5 string electronic violine & live electronic [2005]
Technische Realisation: Centre Henry Pousseur, Liege (B)
Veröffentlichung auf CD:
Lenka Zupkova – prague | hannover (Wergo, ARTS 81152)
Siehe auch Version 2: Bearbeitung für Altblockflöte & Live-Elektronik